Novels

No More Mr Darcy? Jean Burnett and the fascination of historical fiction

Jean Burnett
Jean Burnett

Following her success with the Jane Austen spin-off Who Needs Mr Darcy? Jean Burnett is now working on ‘serious’ historical fiction.

 

 

 1. What am I working on now?

I have been putting finishing touches to two completed manuscripts (must stop tinkering) while reading up for the next book. I write historical fiction and the researching part of the book takes several months. I won’t be putting anything much on paper or computer for a while – just filling notebooks with details. This is my second ‘serious’ novel and it’s set at the court of Charles 1 in the run up to the Civil War. There is still an Italian connection through the heroine who is a famous artist. I won’ t say any more because it’s bad luck and I am superstitious about my writing. At this stage I have no idea about a title!

2. How does my work differ from others in the genre?

It is difficult to assess this. All writers have a different take on history and we all hope that we have a recognisable ‘voice’ that makes us different. I look for quirky historical details or places, perhaps an electrifying incident that makes me think “that would make a good story.”
Most often my imagination is caught by a personality who is either so fascinating, so wicked (as in the case of Gesualdo), or is trapped in an impossible situation. I like what Paul Doherty calls the wrinkles in history; the facts or myths between the lines, the what ifs of history – was Elizabeth 1 really the daughter of Henry V111? Doherty was fascinated by this but I think the Tudors have been done to death.

3.Why do I write what I do?

I suppose I find the past more interesting than the present – that is the quick answer, although if I find a fascinating subject in the present I will certainly write about it. I have written a book set in the 1980s which seems modern to me, although it’s technically historical, which I find absurd.

4. What is my writing process?

It could be summed up as haphazard, but there is method in my madness. I don’t plan things out in detail but a lot of the book is in my head before I start. I always know the beginning and the end but the middle will often take me by surprise. The characters take on a life of their own which is worrying if they are real historical people. I am constantly checking on whether they would really have said or done a certain thing.
The fact is that we can never put ourselves in the mind of someone from centuries ago. We perceive them through a 21st century prism. All I can do is try to make them come alive – resurrect them. This is the fascination of the genre.

WhoNeedsMrDarcy[1]


Thank you, Jean.

I know you’ve also been working on the further adventures of Lydia Bennet – I hope we get to see them too one day. 

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